Music is my heartbeat: Anon Cheran Momin

Preetty Chambugong Marak

Shillong, Feb 6: Meghalaya’s music enthusiast Anon Cheran Momin says, “Music is my heartbeat.” Anon has been nominated for the 17th Asian Film Award Academy for “Best Original Music”. Born and brought up in Meghalaya, Anon originally hails from North Garo Hills, he did his schooling at St. Anthony’s Higher Secondary School and later studied Computer Science Engineering at Shillong Polytechnic. He got his BA degree in Fine Arts from Martin Luther Christian University and is currently pursuing his studies at Vienna Music Institute in Vienna, Austria.

Anon kick-started his music career with the movie ‘Rapture’, where he and Dominic Sangma both were nominated for the Original Music and Best Director award respectively. The event is scheduled to take place in Hong Kong on March 10, 2024.

Speaking about all this, Anon says, “I feel an overwhelming sense of gratitude, giving all the glory and honour to God and dada Dominic Sangma, who allowed me to work with him. The moment Dada Dominic shared the news of me being nominated I was filled with emotion as I never envisioned myself in this position so the acknowledgement and recognition from the Asian Film Award Academy was a delightful surprise. I can never thank God enough”.

ALSO READ: From memories to dreams: Dominic Sangma uses his past to pave the way to his future

This comment was made during an exclusive interview with Meghalaya Times, the excerpts of which are:

What first got you into music?

ACM. Music became my heartbeat from a very young age. At just 12 years old, I dove into the world of melodies by playing bass in my local church. This early exposure ignited my passion and set the stage for my musical journey. At 16, I took a leap into professional music education, honing my skills on the piano at Arnest Memorial Music School for a triennial. However, my musical education didn’t stop there; I continued to expand my repertoire through self-teaching, exploring and experimenting with various instruments and genres.

Since you started at a young age, who was your inspiration?

ACM. My primary source of inspiration comes from my own household. Both of my elder brothers Evangel and Ambasal are accomplished musicians, and witnessing their musical journey has been a constant motivator for me. From the moment I saw them perform on stage, I knew I wanted to follow in their footsteps. The shared passion for music created a unique bond, and soon we found ourselves playing together in our local church. Their influence has been instrumental in shaping my musical identity, and to this day, the collaborative energy we bring to the stage continues to fuel my love for music. And, of course, I can’t overlook the unwavering support from my family, especially my parents. Their encouragement and understanding have been instrumental in allowing me to pursue my dreams and ambitions. Their prayers and constant remembrance are not just a source of strength but also a profound inspiration for me. I’m deeply grateful for their support, and it’s their love that propels me forward on this journey.”

Who or what inspired you to come up with the music that was nominated for the award?

ACM. Honestly speaking, for this music, I didn’t have a specific inspiration. However, I hold great admiration for Dada Dominic’s work, and working alongside him has been a source of continuous inspiration. Dada Dominic has played a pivotal role in my growth, both as a musician and as an individual. His encouragement, guidance, and constant push for improvement have contributed significantly to my development. ‘Rapture’ marks our third major project together and the second feature film collaboration, following ‘Ma.ama’. Our collaborations extend beyond the professional realm; we often engage in discussions about the philosophy of life, share ideas, and explore creative concepts. One of the best aspects of working with Dada Dominic is that while he provides valuable advice, he also allows for creative freedom, fostering an environment without limitations.

What do you think makes this music unique?

ACM. I wouldn’t label it as unique music per se. When Dada Dominic Sangma approached me to compose music for ‘Rapture,’ he had a specific vision in mind. He wanted the music to steer away from Western influences and embrace a more folk and traditional essence. This posed a challenge for me, given the limited availability of well-equipped traditional instruments in our cultural context. However, I soon realized that the beauty of music lies not only in perfection but in the distinctive sound, tonality, and texture of the instruments used. Throughout the process of composing and recording, there were both challenges and triumphs. Despite the limitations, the music resonated well, and I found immense satisfaction in knowing that the end result was not only to my liking but also garnered approval from the director himself.

Tell us about your creative process.

ACM. The process for the music score began with Dada Dominic sharing a fascinating movie concept with me, depicting a village in disarray where people are bewildered and unsure of what to do. This chaos in the village is meant to reflect the complexity of our modern lives, where some notice the nature of things, while others remain oblivious. I found myself inspired by this narrative during a late-night session at my piano. As I delved into the process, it felt like every tune and melody was naturally falling into place. Despite facing limitations in equipment and lacking the necessary software, I collaborated with my friend Taidy, and together we worked until the early hours of the morning to create a foundational demo. Upon completion, I shared the demo with the director, who gave the green light to proceed with recording the full set of instruments. This recording took place with Bah Julius Basaiawmoit at Prodigi Recording Studio, helping me out on playing the instruments Batlador Khongnoh on Flute, and Pioustian Singtang Marak on dotrong and Nagra. The final touch to the music, including the mixing and mastering, was handled by Vineet from Mumbai who also served as the sound designer for the entire movie ‘Rapture’.

Any positive/negative responses you received for this music?

ACM. So far, the responses have been positive. The music has resonated well with audiences beyond our community. It’s heartening to see the appreciation pouring in from various quarters, and I am grateful for the positive feedback. One aspect that brings me immense joy is the opportunity to showcase our traditional and cultural instruments through music. It allows people from different parts of the country to experience and appreciate the richness of our heritage. The positive responses serve as encouragement to continue exploring and sharing our cultural treasures through the medium of music.

How do you describe the music that you typically create?

ACM. The music I create is primarily in the form of a movie score, commonly referred to as an Original Sound Track or OST. In crafting these soundtracks, my focus is on composing the music to enhance the emotions, scenes, and overall narrative of the film.

Where have you performed? Any upcoming songs?

ACM. I’ve had the privilege of performing both individually and as the ex-keyboardist of the Band Rum and Monkeys. My musical journey has taken me to various music festivals, concerts, radio stations, TV channels, government events, cafes and weddings in different states of India. At the moment, my main focus is on learning, improving, and shaping myself as an artist. Additionally, I’m enthusiastically working on several original compositions. Nevertheless, I’m not ready to unveil specific details just yet.

Being a music composer, what skills do you think you need the most?

ACM. Being a music composer requires a diverse skill set. Firstly, an openness to various musical genres is crucial. Listening to a wide range of music can draw inspiration from different styles, which adds depth and versatility to the compositions. Observation is another vital skill. Understanding the surrounding environment helps me capture the mood and essence of a scene, enabling me to create music. Moreover, having a fundamental knowledge of music theory and musical instruments is essential. It not only allows me to communicate effectively with musicians during the collaborative process but also provides a strong foundation for structuring compositions, harmonizing melodies, and ensuring the coherence of the overall musical piece.

What advice do you have for others who want to make a name for themself?

ACM. I may not be an expert in giving advice, but I believe it’s crucial to step out of your comfort zone. Embrace boldness, try new things, and explore different environments. Work hard in what you love to do and you’ll bear the fruits in it. Always strive to be the best version of yourself. Importantly, express gratitude for the journey, acknowledging both challenges and blessings and never forgetting to thank God. Moreover, I would like to extend my heartfelt thanks to all the people who have been involved in this project. Without their support, this endeavour would not have been possible. The collaborative effort and encouragement from others play a significant role in bringing creative projects to fruition.

Sohiong residents flag inconsistencies in fund release

Claiming that they have not received funds from the Special Rural Works Programme (SRWP) scheme 2018-2022, a section of the residents of Sohiong constituency have demanded an answer from former MLA Samlin Malngiang as to why this situation has come about.

Speaking to media persons, John Wankhar claimed that many residents of various villages under Sohiong constituency have not received funds, despite their names having appeared in the list of beneficiaries.

Wankhar informed that after receiving complaints from villagers, a group of residents had sought RTI report from the CRD Block Office Sohiong in June 2022 on the number of beneficiaries benefited from the SRWP scheme 2018-2022.

“As per the RTI report received on 12 July 2022 from the CRD Block Office Sohiong, till date there are 15 individuals or families from various villages who have not receive any funds under the SRWP scheme 2018-2022 despite their names have appeared in the list of beneficiaries” alleged Wankhar.

Wandalin Khongsit, a resident of Kharlakhar village who had accompanied the group said that her name had also appeared in the list to receive Rs.10,000 for the implementation of SRWP scheme but till date the fund was never accredited to her account.

Khongsit said that all beneficiaries of the SRWP scheme 2018-2022 was supposed to be given Rs.10,000 to Rs.20,000 but till date there are 14 individuals or families who have not received the fund despite their names having appeared in the beneficiaries list.

“As a group and personally I have visited the CRD Block Office Sohiong and have enquired about the non-release of funds meant under SRWP scheme 2018-2022 but till date, we have not received any positive response” said Khongsit.

Conrad inspects upgrade of JN stadium

Meghalaya Chief Minister Conrad K Sangma on Wednesday inspected the ongoing renovation, up-gradation and expansion of the Jawaharlal Nehru Stadium at Polo in Shillong.

The renovated stadium would include a football ground with natural grass turf and also a state-of-the-art facility for hosting track and field events.

Laying emphasis on the quality of the construction, the Chief Minister informed that the highest quality standards are being maintained and once ready will be fit to host international sporting events.

“The entire arrangements and the way the work is going on, we are going to meet the FIFA standards and this particular stadium and the football field will be at par to host any international games in the future”, he said.

“Apart from this, the stadium will have full facilities for athletics and the quality that is being maintained here for the track and field is also top of the line”, he added.

The Chief Minister the renovated stadium will have a seating capacity of close to 30,000 and will be completed by the month of December this year.

Adjacent to the Football Stadium, a multipurpose indoor stadium is also being constructed.

The Chief Minister informed that it will be the largest multipurpose indoor stadium in the Northeastern region. The indoor stadium will have facilities for different disciplines such as basketball, squash, badminton, table tennis, volleyball, etc.

Expressing his happiness at the progress of the work, the Chief Minister was optimistic that once the state-of-the-art facilities are completed it will provide an opportunity for the youth of the State to excel in the respective field and sporting disciplines.

During his visit, the Chief Minister also inspected the football field located at the first ground Polo. Necessary upgrade and expansion are being carried out to improve the ground with the laying of an artificial turf and the construction of new stands.

Stating that the youth of the State are passionate about football, the Chief Minister said that the Government is in the process to identify local practice grounds across the State and take steps to upgrade and improve the selected grounds for the benefit of football lovers.

“The Government has decided that we are going to take up different locality fields and football grounds in all parts of the State where our youth normally play football and in collaboration with the community and the local leaders we would want to upgrade these grounds with better facilities”.

“We are already surveying Shillong city and we have identified five locations where we can potentially lay these astro turfs. With this intervention we are expecting that a large number of astro turf football grounds will come up, where our youth can practise, have matches. That will be one of the steps towards ensuring that we are able to bring out the talent and give the opportunity for the youth who are passionate about football”, he said.

The ongoing construction of an Integrated Hospitality and Sports Complex at JN Stadium is at a cost of 125 crore, while the upgrade of JN Sports Complex Phase I is at a cost of 34.75 crore, while the upgrade of Phase II is 18.2 crore and the upgrade of SSA ground at 14.81 crore.

The integrated sports complex will comprise of 700-seater Multi Sports Hall, Convention Hall that can house 12 badminton courts, an independent Banquet hall with a dedicated kitchen facility, 200 seater Basketball or Futsal Indoor Sports Hall,  Indoor Sports Hall for Squash (2 Nos.) and Table tennis (10 Nos.), 10 M and 25 M Shooting range.